This year brought lots of phenomenal shows out on the road. Touring is becoming so important for an artist’s livelihood, so be sure to keep an eye on tour schedules and go see all of these guys this year… they put on some incredible live shows.
1. Other Lives
3. Sufjan Stevens
4. Active Child
5. Kishi Bashi
7. Punch Brothers
8. The Antlers
9. Sharon Van Etten
10. The Shins
Thursday night I had the pleasure of seeing Active Child with Balam Acab and Superhumanoids supporting.
Superhumanoids, a foursome from LA, kicked off the night with some pretty rad keyboard and synthesizer playing, as well as the lovely voices of Sarah Chernoff and Cameron Parkins. Since they had two lead vocalists, they each were able to focus on their instruments while the bassist/keyboardist and drummer laid the beats down in the back. The band tried to get the audience to dance and loosen up a bit a couple songs into the set by telling us we were going to play a dancing game, but despite this, the crowd still stood mostly still. Their music is very danceable in the right setting, but it’s just a tad slower than the average dance music. I think that combined with the fact that they were an opening band is why people didn’t get super into them. Even though they didn’t pull the crowd in immediately, they still put on a fantastic show that was quite pleasing to the ears. Download “Too Young For Love” on Soundcloud (and a couple other songs)- it was my favorite from the night, it employs some really sweet drone synthesizer sounds- and is especially great live.
Next up was Balam Acab. Let’s first start off with his attire, which was a pretty good indicator of his overall persona. He was wearing the classic Teva Sandals, glasses, some sort of 90’s graphic tee with Dinosaurs on it, jeans, and an old ball cap. He looked like he should be hanging out in a comic book store or maybe just taken straight back to the 90’s. He never spoke while on stage, except for a couple muffled words in the middle of his set when he thanked us for coming. Balam Acab, AKA Alec Koone, takes samples and sound bytes and remixes them into well blended songs. When reviewing his See Birds EP, Pitchfork pointed out that he plays his music around 65 beats per minute, while the average BPM for a fast techno song can be anywhere from 120-180 BPM. The slowness of Balam Acab’s music became ever so apparent when watching him work live. About ten minutes into the his set, I began to realize how repetitive and soothing his music was- in a very unconventional way. Since he doesn’t play actual instruments, he was just hunched over his table full of knobs and buttons the entire time, in a completely dark room while onlookers tried to figure out what the heck he was doing. Even though he didn’t really even do that much, the sounds he created entranced the audience. His set was rather long, and after a while, I was ready for Active Child take the stage. In what seems to be a very Balam Acab style move, he pressed his last couple buttons without a word, and walked off stage.
Pat Grossi of Active Child is somewhat unassuming- he’s a good looking guy and dresses fairly conservatively in comparison to some musicians, but the music he creates is anything but conventional. On record, Active Child’s music is pretty low key and most certainly, as I figured out, a watered down version of his live performance (not to say his recorded music is bad, it’s just is a whole new sound and experience when performed live).
Thursday night he was accompanied by two bandmates, a drummer who not only had the traditional drum set but also an electric drum set, and a bassist/keyboardist. Grossi rotated between playing a small harp and his own keyboard. The moment Active Child played their first note, I was completely mesmerized. For a smaller show, they had the absolute best lights and effects I’ve ever seen. The smoke machine was in full use- the pulse of the drum somehow queued the smoke and lazers and drew everyone into the transcendental atmosphere of the show. Grossi’s voice sometimes sounds unnatural as he uses his falsetto about 90% of the time, but it works, adding balance to the beats and synths in the background.
I spoke with Grossi after the show, and maybe it sounded bad, but I went into the show knowing it would be good, but I didn’t have any incredible expectations. I told him that the show far exceeded whatever expectations I did have going into it in the best way. Probably one of my favorite shows of 2012 so far.
Here are a few musicians that have been recommended to me lately or I’ve stumbled upon via We Are Hunted (An awesome site! If you ever need some new music, this is the site to go to!).
This band is led by Pat Grossi, a harpist with beautiful falsetto. Behind Grossi’s harp and vocals, there is a lot of layered 80’s synth action and slow jam beats. Their sound is quite ethereal.
King Krule (formerly Zoo Kid)-
I cannot get over this guy- why? Because he’s 17. He reminds me of James Blake, except where James would play a piano, he plays electric guitar. He also dabbles in dubstep and overall seems like a very versatile artist.
First off, I love lead singer Kyle Morton’s voice…it’s unique, but not in a weird or unpleasant sort of way. His vocals and guitar are backed by the massive band full of horns, strings, and lots of percussion-sometimes they have upwards of twelve people on stage. Despite having such a large band, the music is never too dense or busy, it’s very well balanced.